Big Coast Little Girl


Big dreamer in a small coastal town.

I am: Nerdy, Odds with bobs, Inspired,
A Slytherin.
I love: To crochet, to craft, to read, to write, to draw, to make a scene in public, making homemade breve, my ferret, my cats, my boyfriend, my friends.

Questions?

mrv3000:

ophelia-tagloff:

kestrel337:

Just imagine the Avengers going to Ikea, and Thor is the only one who can pronounce the name of anything. 

This is disproportionately hilarious to me.

#COME LET US ASSEMBLE THE LÖVBACKEN

Source: kestrel337

lightspeedsound:

pmon3y69:

antifascistaction:

otipemsiw:

basedheisenberg:

Neo-Nazis get their shit pushed in by native american grandmothers, who then capture their flag, take selfies with it, and then burn it.
Neo Nazi status: Wrekt.

Fav 4ever

You will never be as cool as these grandmothers.

literally the most punk rock thing on my dash ever. Nazi Punks fuck off

literally these grannies will beat out every single white dudebro in a game of CAPTURE THE FLAG

lightspeedsound:

pmon3y69:

antifascistaction:

otipemsiw:

basedheisenberg:

Neo-Nazis get their shit pushed in by native american grandmothers, who then capture their flag, take selfies with it, and then burn it.

Neo Nazi status: Wrekt.

Fav 4ever

You will never be as cool as these grandmothers.

literally the most punk rock thing on my dash ever. Nazi Punks fuck off

literally these grannies will beat out every single white dudebro in a game of CAPTURE THE FLAG

Source: basedheisenberg

howtolivefatandhappy:

belladamenoir:

torisoulphoenix:

exgynocraticgrrl:

Kerry Washington performing Sojourner Truth's 1851 "Ain't I A Woman" speech

 A clip from the History Channel’s “The People Speak”

YAAAAAAAAAAAAAAAAAAAAAAAAASSSSSSSS!!!!!!!!!

PRAISE!!! GO KERRY!!!

You should watch the video. It’s wonderful. I love her very much.

Source: exgynocraticgrrl

qorter:

So I found Doug Dimmadome at Dragon Con

qorter:

So I found Doug Dimmadome at Dragon Con

Source: qorter

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

Source: melanskyyworld

iggyazazel:

poeticus:

anxiousbagel:

emotionally manipulative things you should never say to people:

  • "i would kill myself without you"
  • "everyone leaves me, don’t leave me like they did"
  • basically anything that guilts the other person into staying in a relationship with you

this post is important

if you get told these things make an exit strategy

Source: anxiousbagel

[x]

Source: evgeniemalkin

necrophilofthefuture:

realest.

necrophilofthefuture:

realest.

Source: necrophilofthefuture

missespeon:

customers at local retail shop shocked to find sales associate is in fact a human being, and not an automaton built to serve them

Source: missespeon

crunchbuttsteak:

have you ever known somebody so shitty they completely ruin that first name for you?

Source: crunchbuttsteak

Anonymous said: Why are you so angry about JLaw's nudes being leaked? I thought you didn't like her.

tstarksbitch:

  • i am angry because this is just another example of women being shamed for taking nudes instead of the douchebag who spreads them being shamed for violating someone’s privacy like that
  • i am angry because nobody deserves this, regardless of how i feel about their personality
  • i am angry because this is pure misogyny and shows how women aren’t respected in our culture
  • i am angry because she did not consent to having those pics posted everywhere but they still were
  • i am angry because on the VERY RARE occasion this happens to a male celeb he is not shamed but rather the perpetrator is and it’s forgotten quickly whereas this will haunt jennifer for years and years to come
  • i am angry because this was a sex crime and people are treating it like a joke
  • i am angry because she is being exploited/objectified and some gross dudebros are probably jacking off to those pics 
  • i am angry because people are CONGRATULATING the fucker who did such an atrocious thing to her instead of being appalled 

listen i may not like her personally but the fact remains that as a human being she is entitled to body autonomy and to choose who sees her naked body and who doesn’t 

Source: tstarksbitch

chessys:

stop leaking female celebrities nudes and start leaking the sims 4

Source: chessys

sexnegative:

Let’s stop acting like punk is rebellion/resistance/anti oppression because honestly, the punk scene coddles rapists, is full of racism/white boy chauvinism/misogyny/classism/much more. We aren’t a family. You’re my enemies and I will destroy you.

Source: sexnegative

honch-crow:

You know what needs more lesbians? 

Absolutely everything. I can not think of a single thing that would not benefit from the addition of lesbians.

Source: con-queer

In the 1930s, men’s nipples were just as provocative, shameful and taboo as women’s are now, and men were protesting in much the same way. In 1930, four men went topless to Coney Island and were arrested. In 1935, a flash mob of topless men descended upon Atlantic City, 42 of whom were arrested. Men fought and they were heard, changing not only laws but social consciousness. And by 1936, men’s bare chests were accepted as the norm.

So why is it that 80 years later women can’t seem to achieve the same for their chests? Why can’t a mother proudly breastfeed her child in public without feeling sexualized? why is a 17-year-old girl being asked to leave her own prom because a group of fathers find her too provocative?

[…] I am not trying to argue for mandatory toplessness, or even bralessness. What I am arguing for is a woman’s right to choose how she represents her body — and to make that choice based on personal desire and not a fear of how people will react to her or how society will judge her. No woman should be made to feel ashamed of her body.

Scout Willis, in XOJane, on Instagram’s nudity policy and why she recently strolled the NYC streets topless. Solid essay all around. I found this piece particularly interesting because I’d never heard about the men’s nipples thing. (via batmansymbol)

Source: batmansymbol